I saw my therapist Friday at 9am. Neither of us are morning people. We both have tall cups of coffee. I didn't have time to steam the wrinkles out of my dress, I say. He didn't have time to iron his new button up. It's curling a tiny bit at the bottom. This will bother me all day, he says.
There is something powerful in perceiving and being perceived. An awareness to being part of. Is fashion only what is wearable on our bodies or is it more encompassing? Does the story of fashion also entail our bodies in a space? Is fashion the way we carry ourselves through a familiar city street; an unknown neighborhood on a road trip, or an identical strip mall in any American suburb?
How do various spaces alter our sense of self and therefore our exploration of identity through clothing? For example, the Prada Marfa art installation that opened in 2005 by artists Elmgreen and Dradset. The fake Prada store is in the middle of the Texas desert. “We realized the power of fashion branding within the art world, and how prevalent this is in people’s minds,” the pair tells Artsy via email. “We got the idea of dislocating a luxury goods shop, totally out of its normal urban context, to a desolate location.” (Artsy)
Dislocation. Dislocation of luxury in a location where perhaps space is the luxury. Would luxury brands exist without urban living? Without a guaranteed viewer//audience? The streets acting as a walkway. What am I dislocated from in fashion?
Touch. Today I am filled with a desire for cotton, nettle, and milkweed. I don't want polyester, nylon, spandex or other oil based goods. I want to know and gather the plants that make the clothing that touches my skin each day. Keeps me warm and cool. Protects me from the elements. There is a power in knowing. Creating. Partaking in the process of cloth and the body.
I am thinking about fashion in its broadest sense. The way a good dress can give the impression of dancing down the street as the hem flows like waves from side to side. The way a perfume can grab ones attention when the wind picks up. The way a certain color can remind me of something I've never experienced. Making me homesick for a place entirely constructed from imagination. No latitude or longitude can be provided.
I will write a bigger post responding to your and Emily's recent writings, but leaving this here as a companion to what you are saying:
ReplyDeletehttps://thespectacle.wustl.edu/?p=2023
French poet Liliane Giraudon
"A word is a form.
She sees an onion that needs to be eaten,
shuts it into a drawer,
sticks a flower in her book and goes out.
Walking she murmurs to herself alone.
A passerby makes out *not the future but fuchsias*."
Oh, this Prada Marfa installation makes me feel that particular exclusion of high fashion. No doors in or out! You can look, take your cute pictures, but never possess. A couple of years ago, I stumbled on the site, MODA OPERANDI, which is a beautifully curated site, selling high-end designer clothing. Here's where you can dream of possession, as if the door is open, but the prices—oh my goodness, the prices—assure me that the door is just made of glass and it is firmly closed. Look, collage aspirations; never possess these things.
ReplyDeletehttps://www.modaoperandi.com/